Many are those who have witnessed in "De Masticatione Mortuorum in Tumulis" - the band’s first full-length release from 2012 - the dawn of a new era of Death Metal. A ground-breaking achievement for the cursed journey that lays ahead, pushing further the barriers of extremity and fear, while delving deeper into the occult.
This second offering establishes ÆVANGELIST at the forefront of the international scene and ventures beyond the path of insanity traversed by its predecessor. "Omen Ex Simulacra" is a horrid mass of suffering, a horrendous form of sonic deformity painfully entwined at the core of long-haunted compositions. A sepulchral work, brutally laced with primal savagery, unleashing inhuman choirs resounding like the Devil’s voice itself.
ÆVANGELIST instils fear, manipulating abomination unlike any other band and plunging its tormented Death Metal into the realms of sheer horror, raising this art high above common musical expression to immerse the listener in an experience of totally terrifying intensity.
"Omen Ex Simulacra" - or the soundtrack to Hell.