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Ski parties visit Austria for its powdered slopes, but when these adrenaline junkies banded together around Innsbruck in 2011, they had a much gnarlier type of shredding in mind. Their destructive appetite for ‘80s crossover thrash is only rivaled by an unquenchable thirst for ice-cold beer and good bud(s).\u003cbr\u003e‘Moshemian Thrashody’ keeps the festivities going. INSANITY ALERT put their fast and frothy spin on four familiar classics, including Guns N’ Roses and Iron Maiden. One of them might surprise you, though. Lead single “Beerless Fiesta” parodies... George Michael? “I’m never going to drink again \/ Poor old lives has taken a beating” Heavy Keevy screams in snot-nosed agony, as if clutching the toilet. But INSANITY ALERT aren’t going into mosh retirement anytime soon. The title track straps Queen’s theatrics to a clown car full of hijinks. Don Melanzani chugs down blast beats. The gang chants are rowdier than a German beer hall. 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Following in the footsteps of SUICIDAL TENDENCIES, D.R.I., and MUNICIPAL WASTE to name a few of their influences, these Alpine mosh-monsters delivered short sharp riff attacks that makes heads bang, necks snap, and diving into the next pit mandatory.\u003c\/p\u003e","brand":"Season of Mist - International","offers":[{"title":"Default Title","offer_id":53352829616471,"sku":"P-65606-","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/6500\/8471\/files\/Insanity-Alert-Insanity-Alert-CD-65606-1-1515495365.jpg?v=1778028436"},{"product_id":"insanity-alert-season-of-mist-discography-bundle","title":"Insanity Alert - Season of Mist discography - Bundle","description":"\u003cp\u003eThe world of INSANITY ALERT is a dark yet happy place. 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Aptly titled, “The Jackhammer” hits listeners over the head with a flurry of snare blasts and barrage of airtight thrash and slam inspired riffage. “Through A Glass, Darkly” indulges in deliciously gothic chord work and melodic leads embellishing Kevill’s already hellish vocal fry. “Strike From The Sky” is trademark thrash excellence quickly followed by the atmospheric, true cult epic “Cage Of Air”, with its tensely ornate dueling guitars on full display. Album closer “The Last Of My Kind” continues this dark gothic path with syncopated octave runs dancing around tightly dueling melodeath riffage. Wrath And Ruin sees WARBRINGER indulging in the darker elements of their sound, making it an excitingly devilish ride.\u003c\/p\u003e\u003cp\u003eWrath And Ruin was produced by Mark Lewis (Cannibal Corpse, Trivium, The Black Dahlia Murder), and mastered by Justin Shturtz at Sterling Sound (Testament, Sepultura, Machine Head). 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The band toured Europe in 2011 co-headlining shows with Sadistic Intent. This included live-appearances at “Way Of Darkness” Festival in Germany, and also “Jalometalli” festival in Finland with additional dates throughout Europe. EVILDEAD went on hiatus a short time thereafter, but returned once again this time with original vocalist PHIL FLORES, and bassist KARLOS MEDINA from THE UNDERWORLD line-up taking over bass duties. The past few years has consisted of performing select live shows to appease a new generation of fans. EVILDEAD have been hard at work with Producer Bill Metoyer on their long awaited comeback full-length studio album.\u003c\/p\u003e\u003cp\u003eIn 2019 EVILDEAD secured a recording deal with SPV\/Steamhammer for their upcoming release entitled UNITED $TATE$ OF ANARCHY (Release date: 30 October 2020). It will feature nine studio tracks plus a metalized cover version of the B-52’s ‘Planet Claire’ as a bonus track. Seminal artist Edward J. 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Despite cancelled shows, despite the Covid-19 lockdown, despite the many imponderabilities that these strange times bring about. In a phase when other bands appear to remain stuck in anguish, 20 August 2021 will see Tom Angelripper and band members Frank Blackfire (guitar), Yorck Segatz (guitar) and Toni Merkel (drums) release their brand-new EP Bombenhagel on Steamhammer\/SPV, available on CD, 12” vinyl and for digital download. “Originally we had planned to bring out the record in time for this year’s summer festival season, including a sticker with all confirmed tour dates. Of course, the way it looks at the moment, all gigs will be postponed until 2022. But the EP will be released anyway, as a sign of life. As a signal to our fans: We’re still around! The story continues,” explains Tom, who has three sensational numbers up his sleeve.\u003c\/p\u003e\u003cp\u003eNumber 1: a new edition of their classic ‘Bombenhagel’, from their 1987 album Persecution Mania. “I wanted a recording of our old classic by the new line-up. Of course that was really special with a drummer such as Toni and two stringsmen. This new arrangement of our anthem definitely holds a few surprises in store.” Not forgetting an awesome guitar solo courtesy of Harris Johns, who as a producer also guested on the Persecution Mania version of ‘Bombenhagel’: “Harris practically insisted on contributing a special kind of solo, in line with his outstanding skill. Naturally, that’s been a real pleasure for us because we’re all aware of what he’s done for us. Without Harris, Sodom wouldn’t be where we are today.”\u003c\/p\u003e\u003cp\u003eNumber 2: the brand-new track ‘Coup De Grace’, which Tom describes as a “true thrash sensation”. The song was composed by Yorck Segatz, with lyrics penned – as ever – by Tom: “It’s about the frequently-sung-about death blow that a hunter delivers to a deer that he has wounded, a torero to a bull, a killer to their victim. But what we are really saying is: Humanity is currently in the process of administering the blow of death to itself. Climate change, massive environmental problems, wars, the strange way of interacting that people currently have. We’re all responsible if things go down the drain. ‘Coup De Grace’ is our attempt to rouse people and urge them to act more thoughtfully.”\u003c\/p\u003e\u003cp\u003eAnd last but not least, number 3: ‘Pestiferous Posse’, a sinister, heavy and downright brutal track with low-tuned guitars and lots of “heavy artillery” (quote Tom) in terms of sound. It’s about that most famous of gunfights in the history of the American Wild West at the O.K. 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That raspy, ill-tempered, aggressive Michael Jackson (indeed) is still here on vocals and these guys really wanted to tear things apart with this album. The main lineup here is entirely the same from Satan and Blind Fury (vocalists aside). Simply put, one could easily say they took “Suspended Sentence”’s interesting idea of “NWOBHM meets Thrash Metal” and basically focused on being even more aggressive this time.\u003cbr\u003eWe might be throwing out the obvious here again, but if you are new to Pariah or perhaps Satan, familiarize yourself with the fact that guitarists Russ Tippins and Steve Ramsey\u003cbr\u003eare truly an insane duo. For the most part with “The Kindred” their guitar work is pretty thrashy and extremely melodic. 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The album and its tracks received Best of 2020 nods from the likes of Consequence and Loudwire, with PopMatters going as far as to say, “With Weapons of Tomorrow, WARBRINGER’s inspired take on thrash metal seems to have reached its zenith.”\u003c\/p\u003e\u003cp\u003eOn Wrath And Ruin, WARBRINGER continues their furious assault against the powers that be with eight new explosive rippers lyrically focused on inspiring listeners to recognize strength in numbers and actualize their class power. Tackling artificial intelligence, free will, and imperialism with their breakneck speeds, virtuosic blend of genre trademarks, and frontman John Kevill’s iconic silver tongue, WARBRINGER pushes the envelope yet again, into the next echelon.\u003c\/p\u003e\u003cp\u003eWasting absolutely no time, Wrath And Ruin kicks off with the cataclysmic duo of “The Sword And The Cross” and “A Better World”, each featuring blistering speeds and jaw dropping drum work from blast commander Carlos Cruz. “Neuromancer” rides low and heavy with its hypnotic pulse propelled forward by unrelenting tremolo-picked leads and double bass pedal assaults. Aptly titled, “The Jackhammer” hits listeners over the head with a flurry of snare blasts and barrage of airtight thrash and slam inspired riffage. “Through A Glass, Darkly” indulges in deliciously gothic chord work and melodic leads embellishing Kevill’s already hellish vocal fry. “Strike From The Sky” is trademark thrash excellence quickly followed by the atmospheric, true cult epic “Cage Of Air”, with its tensely ornate dueling guitars on full display. Album closer “The Last Of My Kind” continues this dark gothic path with syncopated octave runs dancing around tightly dueling melodeath riffage. Wrath And Ruin sees WARBRINGER indulging in the darker elements of their sound, making it an excitingly devilish ride.\u003c\/p\u003e\u003cp\u003eWrath And Ruin was produced by Mark Lewis (Cannibal Corpse, Trivium, The Black Dahlia Murder), and mastered by Justin Shturtz at Sterling Sound (Testament, Sepultura, Machine Head). 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Originally released in 1997 before the band's hiatus, this album captures the raw aggression and social commentary that defined Sacred Reich. 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Their own definition of Crossover Thrash with insane latinoflows! Unique, intense and wild as Fear and Loathing in Las Vegas.\u003c\/p\u003e\u003cp\u003eLocoMuerte offers authentic and catchy music, unique on the French scene. Their Chicano crossover takes its source from the roots of the style (Suicidal Tendencies, Anthrax, Biohazard…) the singing in Spanish with a flow mixing reggaeton and hardcore accentuates the dynamics and groove of the titles to give LocoMuerte a very personal and unique sound, the Chicano Mosh!\u003c\/p\u003e\u003cp\u003eUnique, intense and wild as Fear and Loathing in Las Vegas Terry Gillian’s cult movie, here is PARANO BOOSTER!! The Frenchicanos’s brand new album will be released on September 27th by M\u0026amp;O Music. This LP is a pure high density Chicano Mosh product, their own definition of Crossover Thrash, the Chicano Mosh.\u003c\/p\u003e\u003cp\u003eCaliente y Furioso, the crazy front man El Termitois ripping the place with his insane latino flows from Reggaetón mixed with Hardcore. All along the 11 tracks, each song brings you deeper in the addiction to the LocoMuerte sound, it’s like putting your hand in a bag of Nachos, you can’t get enough of this delicious stuff! The production by Stephane Buriez and Niko HK at Vamacara Studio make you feel with the band on stage, you can feel the positive energy and the power of the LocoMuerte’s sound.\u003c\/p\u003e\u003cp\u003ePARANO BOOSTER will make you danse like never before into the pit and or in your living room with his insane latino flows!\u003cbr\u003eBe ready for una pinche fiesta muybruutaaallll!\u003cbr\u003eBienvenido en la Familia!\u003c\/p\u003e","brand":"Season of Mist - International","offers":[{"title":"Default Title","offer_id":53390268268887,"sku":"P-155424-","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/6500\/8471\/files\/Locomuerte-Parano-Booster-CD-DIGIPAK-155424-1-1717399189.jpg?v=1778240022"},{"product_id":"evildead-the-underworld-cd","title":"Evildead - The Underworld - CD","description":"\u003cp\u003eEvilDead fans, listen up: 27 March 2026 will see the re-release by the American thrash metal act of their cult album The Underworld’ including a number of bonus tracks. 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Resurging at full force with their 12th studio album and Napalm Records debut, Goliath (out March 20, 2026), the band reinforces their eternal foothold at the top of thrash metal's hierarchy with 10 of their most diverse, anthemic emissions to date. Further fueled by the widely embraced return of iconic late-era frontman Rob Dukes – first appearing on 2005’s Shovel Headed Kill Machine – the album boasts what the band describes as the performance of his life. Goliath is EXODUS’ most collaborative record in their four decade-plus history, featuring songs written by several band members and guest contributions from Peter Tägtgren (Hypocrisy, Pain) and violinist Katie Jacoby.\u003c\/p\u003e\u003cp\u003eGoliath wastes no time proving as massive as its name, with a sinister introduction opening “3111” that strikes dissonant chords before careening into breakneck thrash intensity. Ode to owning one’s own volatility “Hostis Humani Generis” features a palpable lyrical delivery from Rob Dukes that cuts like crystal amid frenetic riffs, before rolling into “The Changing Me”. The track’s introductory notes cascade into hair-raising rhythms, forming one of the band’s most anthemic offerings – blending menace and melody with the skyscraping screams and cleans of guest Peter Tägtgren (Hypocrisy, Pain) and harmonic dual axe acrobatics from resident guitar legends Gary Holt and Lee Altus. “Promise You This” incites mosh pit treachery with explosive energy, cyclonic riffs and turbocharged soloing from Holt, prior to colossal title track “Goliath” simmering the tempo down with winding, malevolent leads, towering drums and ominous string work from Katie Jacoby coupling with intricate guitars. The album standout showcases the band’s ever-increasingly dynamic approach, even decades into their historic reign. Tracks like “Beyond The Event Horizon” and “2 Minutes Hate” provide EXODUS’ trademark deadly dose of thrash theatricality – the latter boasting one of the album’s most grimacing, grooving pit primers – while undeniably 90s-tinged metallic charm attacks alongside drummer Tom Hunting and bassist Jack Gibson’s unmistakable rhythmic rage on tracks like “Violence Works”. The nearly eight-minute epic “Summon Of The God Unknown” turns the danger dial to max capacity, setting the stage with a wicked introductory passage before traversing a variegated passage of trudging riffs and heavy metal melody. Power packed closer “The Dirtiest Of The Dozen” wraps the album on a manic high, showcasing EXODUS pulling out all the stops on all instruments. 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