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Guitars and bass were recorded by Mike McKenzie at The Black Coast. The album was mastered by Brad Boatright at Audiosiege. Intro “Decadence Dissolves” is a Schuldiner-esque calm before the storm. “Ethereal Emptiness” and “Atheist Aesthetic” soon rip everything apart, methodically downshifting from blackened to brutal in tone. “Mantra of Madness” then emerges as a monster of a song, driven by inhuman drumming and traditional death metal riffing. This pattern of intensity continues in “Fear is a Fossil”, “Polluted Paradise”, and “Intimate Inferno”. All are motion sickness inducing numbers that violently lurch in aural agony. It’s here one realizes that this album never lets up. “Return to Zero” takes it to another level, viciously grinding as the lines “Return to zero, bite down on the chain, bow down to no one” repeat as mantra. This leads to “Blood Blossom” an amalgamation of metal ferocity and hardcore spirit that could very well be the heaviest track of them all. 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The album’s subsequent success saw the band touring extensively across North America and Europe in the latter half of the year. With a renewed sense of maturity and focus, each member was eager to seize the momentum in 2020. Then the world shut down. Forced to cancel their spring and summer tours, State Faults embraced the post-pandemic landscape by immersing themselves in fresh material. After a year of intensive writing, they teamed up with producer Chris Teti (The World Is A Beautiful Place…) in Burlington, Connecticut to craft their fourth studio album, “Children of the Moon.” With the world still largely shut down, the band would spend the next several years biding their time, navigating numerous post production delays, financial hardships, personal misfortune and a near break-up before finally finding the right opportunity to present the album to the world. Pushing the boundaries of the screamo genre, COTM sees the band exhibiting their creative evolution with each track on the album. Lush string arrangements of the opener, “Blood Moon,” seamlessly delivers a blend heavy riffs and melodic precision. “Palo Santo” continues with infectious hooks and a rare showcase of Jonny Andrew's singing amidst his signature screams, while “Heat Death” and “Divination” showcase the band at their heaviest. Midway through, the band ventures into uncharted territory with the ambitious 10-minute prog\/screamo odyssey, “No Gospel.” The song features psychedelic guitar work, danceable drum and bass rhythms, and a downtempo second half immersed in spaced-out drones and reverb-soaked vocals. The album concludes with the post-rock closer, “Bodega Head,” an intricately arranged ballad that builds from gentle acoustic guitar to a crescendo of haunting strings, galloping drums, and a soaring electric guitar solo. State Faults sounds as massive as ever here and “Children of the Moon” stands as a testament to band brimming with creative energy.\u003c\/p\u003e","brand":"Season of Mist - International","offers":[{"title":"Default Title","offer_id":53439370363223,"sku":"P-154296-","price":13.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/6500\/8471\/files\/State-Faults-Children-Of-The-Moon-CD-DIGISLEEVE-154296-1-1715672540.jpg?v=1778237199"},{"product_id":"glare-sunset-funeral-cd-digipak","title":"Glare - Sunset Funeral - CD DIGIPAK","description":"\u003cp\u003eWhen you hear music like this—the wild, loose and woozy drags of guitar; the impossible beauty of it all—what kind of landscape presents itself in your mind? Vistas big enough to be forgotten in. Deserts which stretch back to the beginning of time. Infinite horizons melting into pink bokehs. It’s Texas, isn’t it? Formed in 2017 in Texas’ Rio Grande Valley Glare aren’t so much genre traditionalists as they are painters of wide realms and intense moods. The four-piece band has already accumulated a large audience, both in the flesh with their reputation for sell-out shows, and on the internet, a place where people go to short-circuit feelings through their screens. Sunset Funeral, the band’s debut LP, is a fog of dreamy grief, where feeling supersedes language. It’s music, as guitarist Toni Ordaz puts it, “for people who don’t know how to talk about how they feel.” An album that’s been years in the making, Sunset Funeral is a document of unspeakable grief, charting the process of mourning and how it travels through our subconscious and dreams. One of the great charms of Sunset Funeral, and of Glare overall, is how they approach such a large, celestial sound with humble materials. Among the shoegaze revivalists, Glare come to the canvas with a more resourceful, DIY perspective than many of their peers. Glare’s music is too sublime, too huge to sound like it came from any kind of man made instrument, tiny amp box or otherwise. On first listen, Sunset Funeral—which scans as vast as desert sand—may overwhelm the senses. But look closer, and you’ll find a multiplicity of heavily crushed textures, treasures. ‘Guts’, with its sweetly chugging guitar line, dissolves the borders between bliss and despair. ‘2 Soon 2 Tell’, one of the album’s most gauzily romantic tracks, is both tense and transcendent. Nü Burn, a crunchy and lilting number, harkens back to the band’s grittier hardcore roots. But even when they deign to go hard, you can hear a softening in Glare’s sound compared to any of their previous releases, as well as an attempt to lean into more traditional pop song structures. The music drifts heavenward, to be sure, though it’s still tethered down by steady foundations. It’s beautiful. It’s humid. It’s delirious. It’s music made by people whose feelings speak louder than their words.\u003c\/p\u003e","brand":"Season of Mist - International","offers":[{"title":"Default Title","offer_id":53448909422935,"sku":"P-163019-","price":13.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/6500\/8471\/files\/Glare-Sunset-Funeral-CD-DIGIPAK-163019-1-1738074537.jpg?v=1778264547"},{"product_id":"boneflower-reveries-lp-gatefold-coloured","title":"Boneflower - Reveries - LP Gatefold Coloured","description":"\u003cp\u003eSide A :\u003cbr\u003eReveries \/ The Sun And The Moon \/ Sal En Mis Pestañas \/ Pomegranate (feat. 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Comprised of ten emotional songs that serve as vignettes on mortality and existential perseverance. \"This second album pictures a memorial. Starts at birth, then from being a rotten kid to a filthy adolescent, the crud of falling in love, clawing the sickening paths of filling the cavity, cheating death, accepting failing death, and becoming fearless of the afterlife - all in one memorandum. These records do not tell a full-blown novel-like story but rather little parts of existence that make me feel big. I am big, I am a great bear, and I’ve conquered existence. I have not dug out my grave, I laid still in it and soaked in the grim, the penance, and the light(s) at the end of the tunnel.\" - Denisa Dhaniswara\u003c\/p\u003e\u003cp\u003eSide A :\u003cbr\u003eThe Annuler \/ Commandment \/ Pity Party \/ Failing Grace \/ Wasteland\u003c\/p\u003e\u003cp\u003eSide B :\u003cbr\u003eSpoiled \/ Request for Penance \/ My Tomb Won't Close \/ This Is A Song About Revelation \/ Bloodbath\u003c\/p\u003e","brand":"Season of Mist - International","offers":[{"title":"Default Title","offer_id":53458444452183,"sku":"P-170252-","price":26.49,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/6500\/8471\/files\/Denisa-St.-Bernadette-LP-170252-1-1754382544.jpg?v=1778301186"},{"product_id":"converge-hum-of-hurt-lp","title":"Converge - Hum Of Hurt - LP","description":"\u003cp\u003eSide A :\u003cbr\u003eSlip the Noose \/ Doom in Bloom \/ It Only Gets Worse \/ Detonator \/ I Won't Let You Go\u003c\/p\u003e\u003cp\u003eSide B :\u003cbr\u003eIt's Not Up To Us \/ Dream Debris \/ It Used to Matter \/ Hum of Hurt \/ Nothing is Over\u003c\/p\u003e\u003cdiv class=\"hidden\"\u003eThis item is available for pre-order. It will be available on 07\/17\/2026. \u003cbr\u003eNotice: orders cannot be split into several shipments. Your order will be dispatched when all items are available.\u003c\/div\u003e","brand":"Season of Mist - International","offers":[{"title":"Default Title","offer_id":53461281177943,"sku":"P-178148-","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/6500\/8471\/files\/Converge-Hum-Of-Hurt-LP-178148-1-1776170761.jpg?v=1779973115"},{"product_id":"converge-you-fail-me-redux-lp-coloured","title":"Converge - You Fail Me (Redux) - LP COLOURED","description":"\u003cp\u003eSide A :\u003cbr\u003eFirst Light \/ Last Light \/ Black Cloud \/ Drop Out \/ Hope StreetHeartless \/ You Fail Me\u003c\/p\u003e\u003cp\u003eSide B :\u003cbr\u003eIn Her Shadow \/ Eagles Become Vultures \/ Wolves At My Door \/ Death King \/ In Her Blood \/ Hanging Moon\u003c\/p\u003e","brand":"Season of Mist - International","offers":[{"title":"Default Title","offer_id":53763681026391,"sku":"P-90120-","price":22.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0974\/6500\/8471\/files\/Converge-You-Fail-Me-Redux-LP-COLOURED-90120-1-1650968951.jpg?v=1781187449"},{"product_id":"converge-love-is-not-enough-lp","title":"Converge - Love Is Not Enough - LP","description":"\u003cp\u003eFor more than three decades, Converge have delivered musical and emotional catharsis, putting purpose before perception and intent before interpretation. Whether it’s their 2001 landmark recording Jane Doe or their 2021 Bloodmoon: I collaboration with Chelsea Wolfe, they have created some of the most compelling music, lyrics, and visual art of the 21st century. During that time, fewer bands have had a greater impact on the underground imagination. It seems unlikely that anyone who has been making music for this long would create one of their best works for their eleventh album, in their 35th year as a band. And yet: Love is Not Enough might be the apotheosis of Converge’s decades-long journey through the punk, hardcore and metal microcosm. What vocalist\/lyricist Jacob Bannon, guitarist\/producer Kurt Ballou, bassist\/vocalist Nate Newton and drummer Ben Koller have created is a strident artistic statement on the turmoil of living that hones their collective strengths to a razor’s edge. There isn’t an ounce of fat. Every song moves with a power and purpose that eclipses their human origins, that speaks to the anger, pain, and frustration of the modern age. From the opening fusillade of the title track to the closing hurricane of “We Were Never the Same,” Love Is Not Enough is a sonorous balance of vitality and viciousness that reflects the chaos and uncertainty of the times we live in. “There’s always obstacles in the world,” Bannon says. “Personal, professional, economical, whatever. But I feel like we’re in a pressure cooker somewhere on our evolutionary line. It’s a lot just to be a human being in the modern world, trying to function, maintain, grow, have empathy, have compassion. It takes more than it used to, to do all those things.” The album title itself says everything about the trials of today. “The line ‘Love is not enough’ is something I had kicking around for a while,” Bannon says. “Some of the things I wrote at the time were from a human resilience perspective, an acceptance of the brutality and unforgiving nature of the world. I was reflecting on that in poetic form and set it aside. When we got into the studio, it all fit together.” “Bad Faith” is a deeply personal song about cruel intentions and limited options. “It came from watching someone I love being wronged and broken apart, and there was nothing I could do about it because there was no good intention in the first place,” Bannon says. “It’s that feeling of helplessness because nothing I could do or say could better the situation. I just had to love and support and do what I could to be there. But I couldn’t effect actual change. That’s a horrible feeling.” “We Were Never The Same” recognizes the unrelatable in even the closest of relations. “That one was written about getting together with people at a funeral, finding commonality among a variety of people in your life at a time of loss and grief,” Bannon says. “We’ve all been through some version of that in our lives. If you listen to heavy music, you appreciate the time, you appreciate the faces, you appreciate the histories with different people and loved ones. But then the next day comes, all the regular stressors of everyday life kick in, and you don’t really connect the way you wish to after reflecting on the loss of somebody. I was processing all that stuff when I wrote the line, ‘Why do we all gather to mourn yet not to cherish?’ It’s an honest question.” Love Is Not Enough features no special guests, no studio trickery, no relentless massaging of human imperfection in trying to manufacture the perfect take. “I think that realism is  missing from a lot of modern music of any genre, but especially our genre,” Bannon says. “Things either go super raw and almost chaotic to the point where it's distracting, or bands take the life out of what they’re doing by editing every aspect. Sometimes the perfect take is the one that has some wildness to it. It's not perfectly executed. There’s a lot of powerful moments on this record and a lot of angry moments. The realism amplifies that.” Unlike so many albums that adhere to a time-honored sequencing format, cherry-picking favored tracks for the all-important first, second, and final spots, Love Is Not Enough is all about momentum. “It does a thing that no other Converge record does—it keeps ramping up,” Bannon says. “And that’s definitely by design. Internally, we passed around dozens of ideas for sequencing because everyone interprets music differently and there’s no right way of doing it. When we do that, we always joke that we all have to be equally unhappy. But this is the one that works.” Love Is Not Enough was recorded and mixed by Kurt Ballou at God City in Salem, Massachusetts, with engineering assistance from Zach Weeks. Jacob Bannon did the artwork and design, creating an image for each song and a commanding cover depicting a celestial witness to a world aflame. “We still identify this band as the outlet that’s essential to our lives,” Bannon says. “We give everything we have to it. Being past your average middle age, we’re starting to see deeper than before into a variety of places. And I don’t think that’s specific to us. 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