{"title":"Vinyl - Prog-Rock \u0026 Prog-Metal","description":null,"products":[{"product_id":"yes-revolution-the-music-roots-of-yes-lp","title":"Yes - Revolution - The Music Roots Of Yes - LP","description":"\u003cp\u003eThese are rare recordings, golden pieces of songs and pearls of the individual YES musicians, recorded in the years 1963 to 1970 from Steve Howe, Jon Anderson, Chris Squire and Tony Kaye. These are the pre-YES times and the \"Music Roots\" of the legendary group YES. 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Even before going on hiatus during the mid-2000s, the ever-evolving auteurs still flashed a flare for the dramatic by performing their acoustic verses underneath a mountain dam. However, there was one tale — or three, to be exact — that continued to elude them. Until now. With the ‘A Dark Poem’ trilogy starting now, GREEN CARNATION finally unveil their masterpiece.\u003cbr\u003eThe idea for an album trilogy stems from GREEN CARNATION’s earliest yesteryears, but the first part of ‘A Dark Poem’ cites various passages from across their illustrious cannon. Lead single “In Your Paradise” reaches newfound peaks of heaviness, swept out to sea by sublime riffs and somber symphonic flourishes. While navigated with the band’s familiar mastery, the view from ‘The Shores of Melancholia’ is far from heavenly. 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However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.\u003cbr\u003eIf ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.\u003cbr\u003e“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. 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Mixing uncharted musical detours with their distinctive aggressive identity, the band create a conceptual world unlike anything in their incredible catalog, inviting the listener to experience the journey on their own terms. Though the story takes place in a hotel—The Blue Nowhere—don’t expect haunted corridors or shadowy figures behind every door. “It’s more of a feeling—those moments when you feel alone in the world and use that solitude to reflect on the human experience,” Rogers clarifies. “It exists in a space where no one can find you, hidden from all forms of reality- That’s The Blue Nowhere.” Trying something new is not unusual for the group, who once again find ways to expand their musical palette while maintaining the band’s core sound. No more surprising is the album opener, “Things We Tell Ourselves in the Dark,” which sets the tone with INXS \u0026amp; Duran Duran-inspired textures, even incorporating 90125-era Yes, filtered through BTBAM’s signature chaos. 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Recorded with long-time collaborator Frank Byng in his South London studio, Bright Spirit sees Gong at their experimental best, more adventurous and more open to the dream than ever.\u003c\/p\u003e\u003cp\u003eAnd dreams are central here. Not just as lyrical imagery, but as a way of thinking - where psychedelia, love, and the thin membrane between worlds feed into the music. The opener, ‘Dream Of Mine’, unfurls like a transmission from the inbetween, its mid-section blooming into harmonies and an angular melody that feels like a key turning in a long-awaited lock. 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