Recorded live in a circle with some of my dearest friends, Animal Poem was made in conversation. We wanted to be together in the room, to listen and respond in real time without the separation of walls and headphones. I met Sam Weber the summer before and resonated deeply with his musicality and his reasons. We sat around on porches swapping tunes and I asked if he would help me make something that felt as unadorned and free. He donned hats seamlessly – co-producer, engineer, musician – setting mics and checking levels before returning to curl around his guitar and disappear into each song. He made the studio feel so open, made it easy to forget technology and permanence and just play, messy and alive. It’s this vital mess that moves me when I listen now – ghost notes in the high register of the piano, melodic guitar and bass lines briefly interwoven, earthy cymbals breathing, my dog barking. We came back to add saxophone, strings, vocal harmonies, and a few other tastes, but most of what you hear is just people sitting together in a small room, listening and talking with tenderness and abandon.
Side A :
Holy Equation / Animal Poem / Paradise / Badlands / Hough Ave, 1966
Side B :
Airplane To Nowhere / White Goose / Fluorescence In The Future / Meantime / The Humming
