This September, Left Hand Black unveil the third chapter in their haunting saga. “Left Hand Black 3: Death Can’t Keep Us Apart” is a storm of raw energy and sinister elegance—aggressive, unfiltered, yet sharpened to perfection. Each track pulses with dark charisma, weaving melodies that haunt the mind and choruses that linger like ghostly echoes. This is horror punk at its most infectious, and its most unforgettable.
Left Hand Black’s signature style is equal parts nostalgic and forward-thinking: a whirlwind of fast-paced punk rock and gothic storytelling that ignites both mosh pits and imaginations. With theatrical live performances and anthemic songwriting, they are quickly becoming a staple in the European horror-punk underground—and beyond.
As they prepare to unleash their third full-length album, Left Hand Black stands poised to solidify their place as torchbearers of modern horror punk.
(The Circle Music)
Left Hand Black commented:
We’re very proud of this album.
We think we’ve succeeded in creating something new with the songs while still maintaining the same red thread as in our previous records.
All the guys in the band make outstanding contributions, each leaving their unique mark on the songs.
Hans sings better than ever.
Anton’s rythmic drumming makes even the dead want to dance, Johan holds the foundation like the pillars of the Brooklyn Bridge, and Jonathan flutters on his guitar like a never-before-seen bird species from the depths of the Amazon.
“Left Hand Black 3: Death Can’t Keep Us Apart” was recorded at Welfare Sounds studios in March 2024 by Per Stålberg and Kalle Lilja, who also produced the album alongside the band. The mixing was done by Per Stålberg, Kalle Lilja, and Mario Dahmen, and mastered by Mario Dahmen at Liquid Aether Audio. The album boasts guest appearances from Nim Vind, who lends his vocals and lead guitar prowess to the title track, “Death Can’t Keep Us Apart” and Per Stålberg, who contributes guest vocals on “Why Do I Kill Everything I Love“. Adding an eerie touch is Mario Dahmen on the organ for “Doomed Romance On A Summer Night“.
The striking visual elements of the album are brought to life with layout design by Bernd Gunwald, the cover art by Frank Walls, and atmospheric band photos captured by Ola Åkerborn with assistance from Kyra Fiedler Wretmarks Foto.
